I am not convinced that Karma is ready to be used in arranger play for conventional music . I.E Music that doesnt sound like a computer made it.
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Problem with Karma is that its much more complicated to use/program then an arpeggiator or Arranger. While the demo's sound great and people like Stephen Kay and Jordan Rudes made some great performaces on the KARMA, its not yet usable for all and everyone with less musicall knowledge.
Next to that the musicall styles most arranger players use are based on static patterns, Waltzes Foxtrots and Polka's don't have much use for random patterns. Maybe one track with a little randomness to make your music more lively..
But many modern and Jazzy music styles have much more use for this randomness, people that love to improvise will greatly appreciate Karma, more basic musicians that just like to play/copy the orriginall music will not have that much use for it.
I can see many good things about Karma, but i am currently wondering if KARMA gets time enough to be further developed for Korg, Kay is currently doing a huge project to implement KARMA on Openlabs and is allready 9 months overdue.
Korg may even choose to step back to an ordinairy Arpeggiator with their next top model. Opinions over the success of Karma diferentiate from person to person. I really like the possibilities of KARMA but do performing musicians of all kinds and studio's have much use for KARMA.