As Stephen points out in his demo, Karma is ENTIRELY based around arpeggiators, whether single note or polyphonic, rhythmical ones, but there's nowhere where he even alludes to how these arpeggiators can be constrained to real world rules. Let alone the fact that playing isn't, in real world music, arp or loop based anyway.
I think you are misunderstanding the meaning behind the words.
If a polyphonic Arpeg contains a set of values that transpose the the root note of the chord your playing up and down semi-tones, then how is that any different from what an arranger does already.
In both cases they will all play the same pattern and respond to chord changes.
Regards
James
[This message has been edited by Irishacts (edited 02-12-2010).]
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