Don't really need a video, James. An MP3 would be sufficient (I tend to listen solely with my ears, in any case!)...

But I'm sorry, but your example of 'note repeat' just doesn't clarify it, for me. WHAT gets repeated? When? Without something acoustic as the starting point, I'm afraid none of the posted Karma things has any relevancy to what I'm asking. It all SOUNDS like a great idea, but I can't find anything online that attempts to mimic real instruments. Perhaps that IS the fault that it doesn't start with an acoustic GE in the first place (hence my desire to hear the Oasys country ones), but none of the Karma 'elaborations' of the electronic stuff seems to improvise on anything I recognize in anything other than an evolving arpeggiator fashion. Which is NOT how humans get 'more complex'. It isn't simply a question of more notes, it's a VERY delicate issue of how many, and when and which before it continues to remain organic.

I've worked, obviously, with arpeggiators most of my life, had Oberheims, Moog's and even modulars (at college) with them. And, in all my time of using them, I never once heard an arpeggiator do something human. What they did was GREAT, don't get me wrong, but it never made me look behind the curtain for the little man playing it I always knew it was a machine.

But I am willing to be converted. Please consider a simple audio recording of JUST the Karma section, doing the most acoustic things you can find, James. I have yet to see anything on the web in that direction, and maybe if it can be demonstrated satisfactorily, demand for Karma would rise to the point that someone DOES drive that truck up to Stephen Kay's door...