That was quite impressive. I actually enjoyed an organ that wasn't a 'B3' . Just curious though, how does he trigger the registration changes? However he does it, the performance was absolutely stellar, especially the pedal work. The voices were very authentic (IMO) but as Paul always says, it's not the keyboard, it's the keyboardist (in this case, that's not totally true , that's one heck of a keyboard. I'd like to see a jury rigged arranger-based rig do that.

chas