Guys,
this fill thing is becoming really an issue.
Here is what I have found doing a search on Korgforums.com:

"The fills alot of the time don't fit; if you're on Variation 1 for example then the fill 'punches' in, instead of being configured for the variation, i.e. the instruments in the fill don't match the variation until you get to about variation 4, so they're kinda useless up till then, they're especially bad on slow and quiet styles sometimes, yet others seem Ok. Is there anyway to change this so that the fill changes with the variation, or will I need to make my own?

Actually, I wasn't strictly accurate. The rhythm is perfectly timed and does begin at the end of a measure, I was misled by the background; it's the instruments in the fill that's causing the problem, because they change instantly when you hit the fill button and some are vastly different to the variation, so it might be all pads for example and the instant you hit fill you get guitars, extra percussion etc etc, that doesn't blend. So I guess the question should be:

Is there any way to get fill variations, that correspond to whatever variation you're in, rather than being the same fill regardless of which variation you're using?"

"Yes, I know exactly what you're talking about when you said, the fill-in doesnt match the variation. For instance, Var 1 might only have bass, and just a simple drum rhytm, whereas Var 4 might have the full band going, and the actual fill-in is based on the full band too, so if you fill-in during Var 1, it sounds dodgy. As far as I know, unless you edit one of the 2 fill-ins to suit a certain Variation, its not possible to change it. Keyboard doesnt care what Variation you are in when you fill in. It will play the fillin the way its been recorded, regardless of what Variation you're in.


Unfortunately the Pa1X (pro) only has 2 fill-ins, besides the break, and that's too little to make all of the fills needed for most songs. Fill-in 1 in most cases is a simple one and fill-in 2 has more extended voicing. The styles are very good and lively programmed and don't bore me after three or four times repeating. But sometimes you need a clear passage to go to the chorus or bridge.
Sometimes I mute one or more acc tracks and use fill-in 2, but that's very user unfriendly. I wonder if someone has a more practical approach to make use of the limited number of fills to let them sound differently by tweaking the volumes or sounds."


"Thanks guys, the more I get into it the more I find 'useable' rather than not, it's got to be difficult to find the balance when there's 4 vars but only 2 fills, I'm getting used to it and don't actually think it'll be a problem at all when I come to tweaking my own performance settings."

So... where lies the truth?